Hello everyone!

Today’s topics are: Did You Know This? Trivia for Presentations; Little Update on Unexpected Agenda – On the Memorized Deck; Pirate for a Day

These are The Magic Memories 159, gone online Sunday, January 14th, 2024, at 0:07h sharp.

All The Magic Memories from 2021, 2022, and 2023, including the Magic Advent Calendar from 2020, can be found HERE.

Did You Know This? Trivia for Presentations

Did you know that wine grapes are the most cultivated fruit worldwide?

The species is named Vitis vinifera (“the one that bears the fruit”). For one bottle of wine they need ca. one kilo (ca. 2.2 pounds) of wine grapes.

When I read that I thought, “Who needs to know that?” What a piece of useless information, well, at least for most of the world population.

But it did send me to my non-magic library, which is well-stocked with ca. 1’000 books, of course not to be compared to my magic library with over 3’500 books, not counting the 30 meters plus of bound and unbound magazines…

I have a section in it that does not fit in any of the other sections, and in my mind I call it “trivia”, armed with just a few dozen books. Three of them are written by one Hanswilhelm Haefs titled Handbuch des nutzlosen Wissens (“handbook of useless knowledge”).

Yes, I know, it’s in German, but a quick search with Google, searching “books on useless knowledge”, brought forth a plethora of publications in English, the name of which confirmed that its content is at least as useless as that of the equivalent literature in German, only that in English they seem to know more useless things than in most other languages (I did not check Russian or Chinese, though…).

Books like these are definitely useless, as you will for instance learn that in the USA there are more psychoanalysts than postmen, that men fall out of bed more often then women, and that the Inuits use refrigerators to avoid that their food freezes.

So, what’s the point of all this?

As you know I am fond of finding presentational ideas for tricks, or at least ideas for a prologue, which begets an epilogue, and both beget a presentational theme for the trick.

So, you could say that by exploring the unnecessary there is a good chance to find the necessary, call it a kind of serendipity.

In any case, nothing seems to be too trivial as not being worth one’s attention, especially if it leads to an amusing, informative, and ultimately “entertaining” performance, “entertaining” meant in the artistic sense of fascinating an audience, based on the Aristotelian “Logos” and “Pathos”, through the performer’s “Ethos”.

It is not so complicated, after all, is it? Yes, sure, simple but not easy, Mr. Burger.

Little Update on Unexpected Agenda

In The Magic Memories 157 I promised to keep you posted on the progress of the Unexpected Agenda, the book project I am currently working on as much and as often as I can.

I have already worked several hundred hours on assembling and rewriting about 450 entries from the several thousand notes I have taken in the past fifty years; ultimately I will need “only” 366 items, so almost one hundred will have to leave (how about a Leftover Agenda...).

There is a lot left to do, I expect ca. 1’200 work hours just from me, not counting photos and illustrations taken and edited, layout, two proof-readings, corrections, preparation of final PDF for print, printing, binding, packaging, shipping to me and distributor, 20kg boxes schlepping, unpacking, managing orders, signing, repacking, shipping, all of that plus other minutiae, to ultimately sell ca. 2’000 copies in ten years… So, my advice to anyone who is thinking about writing and publishing a book is DON’T!

Although many of the concepts, thoughts, philosophies never get dated, most of what will go into the book is of more recent vintage, findings I came upon in the past years as a result of my synergetic studies of many topics.

It is certainly the advantage of getting older that now I see things more as being part of a much larger context, while in the first decades of my magical life I focused a lot on details. Now both things, breadth and depth, are coming together, and I hope that it will show in the new Unexpected Agenda.

More on this later. Here is for your entertainment pleasure a yet unedited entry that will go into the book concerning the benefits of using a memorized deck. Enjoy.

On the Memorized Deck

The following ideas are an answer to several readers who wrote in to ask for my comments on the use of a memorized deck.

Generally speaking, stacked decks can be divided in two big categories: Partial stacks and complete stacks. The complete stacks can again be split in mnemonic stacks (e.g., Tamariz Menmonica, Aronson Stack) and circular stacks. Finally, circular stacks consist of mathematical stacks (e.g., “Si Stebbins”) and rosary stacks (e.g., “Eight Kings”). So far for taxonomy and terminology, a basic requirement for the understanding of a topic.

The mastery and use of a memorized deck has several advantages over other systems. Here are a few thoughts to start you thinking about the subject.

• Card Index: Technically a memorized deck is also an efficient “Card Index”, i.e., it allows you to access any card at any moment. Although this can theoretically be done with mathematical stacks, too, a mnemonic stack is much fast: This is especially practical when using two decks.
• Partial set-ups: It is a great memory aid when you have to remember a sequence of cards: Rather than learning a new order, take a sequence from your memorized deck. An example is “Card Call” from Stand-up Card Magic, where I need to memorize ten cards. I simply take the first ten cards of Mnemonica and thus do not need to learn a new order; this alleviates stress and gives me self-confidence in performance.
• Selection & Control: Replaces selection and control phase, as you can simply have a card named out loud, and then locate it instantly. In parlor and stage work, or any stand-up situation for that matter, having a card named saves a lot of time. However, you also lose the impossibility factor. For it is not the same thing to (false) shuffle the deck and have a card named, as to have a deck shuffled by the spectator, then have her reach into the hand-spread to take any card. In such a situation she can see that she has a choice of fifty-two cards (!),  then to replace the card and shuffle the deck herself. As always: You have to pay the price, as you cannot get something for nothing, and as the saying goes, even death costs your life.
• Quite generally speaking learning a mnemonic system can be helpful to improve your memory, or at least improve the way you use it by instilling memory aid techniques. Although Tamariz in his book Mnemonica teaches a “shortcut system” to memorize the order of the cards and their position in the deck, the classic method is to have an image for every position and one for every card, and then create an association between the two. Since this article is not supposed to be a course in mnemonics I refer you to the technical literature (e.g., The Encyclopedia of Card Magic, Chapter 20 – The Nikola Card System). If you are a native speaker of English, you can use the system as it is ready to go, but if you think in another language you will have to adapt the system to words and images in your own language. I remember how it took me several days to do that, many years ago (!), but it was a lot of fun. And then it took me another several weeks to apply the mnemonics to the complete deck. When I then visited with Juan Tamariz and he explained to me his own system, I had to unlearn the entire thing! I think I have told this story somewhere else in my writings, but I do not remember where…

Pirate for a Day

Sorry to keep today’s The Magic Memories a bit shorter than usual, but my ophthalmologist prescribed a maximum of three hours a day woking in front of a monitor for the next few days.

This is as a consequence of a cataract operation I had to undergo on Tuesday. The surgery itself is ambulant and is over in about twenty minutes, which is not bad if you consider that they are taking your old lens out of your eye and replacing it with another, sort of a transposition… I do the same thing with cards much faster and less invasive 🙂

All is good, but in ten days they will take care of the other eye.

I think I am going to ask them if they can implant a lens that allows me to look into the future… hey, here is another presentational idea, “I have a new lens in my eye that allows me to look into the future.” Obviously, to be believable, you will have to do the operation…

Anyway, for a day I looked like one of those one-eyed pirates 🙂

Wish you all a successful and happy week,

Roberto Giobbi

Hello everyone!

Today’s topics are: Happy New Year message; Ask for a Personal Inscription; The Magic Memories 2021, 2022, and 2023 All-in-one PDF; Is the Classic Pass Necessary?; Irv Weiner aka Mr. Fingers with videos “Three-way Odyssey” and “Irv Weiner on Campus”

These are The Magic Memories 158, gone online Sunday, January 7th, 2024, at 0:07h sharp.

All The Magic Memories from 2021, 2022, and 2023, including the Magic Advent Calendar from 2020, can be found HERE.

Happy New Year!

Thank you to all who wrote in with best wishes for the new year – please receive my greetings here: May this year bring you health, peace and enough money to enjoy it, and may it also bring all of us closer to perfection in magic!

Representatively for all who sent greetings, here is what Roger Curtis from the Magic Circle London wrote:

Happy new year Roberto!

These Magic Memories are fantastic to read and are a real weekly highlight.

They are full of such interesting, well thought out and educational inspiration both from a magical and general perspective. It is so generous to you to give this to the magical community as a gift and please don’t stop!

Thank you.

Thank you, Roger, and all others who wrote in during the year.

I have thought about dropping these The Magic Memories several times, as they take me a lot more time than you imagine. But then it is messages like this one that make me continue. It is not so much that I would not know what to write, far from it, as I eat, drink and breath magic all day, and could therefore go on forever. No, it is just sometimes the doubt of things that I write not being as relevant to others as they are to me.

Therefore, please let me know what you would want to read more about, and ask questions which I might answer, sooner or later. 

Also, tell me if there are things you do not like so much, or with which you do not agree. Please be candid when doing so, as I do not have such a thick skin, but rest assured that I can listen.

Ask for a Personal Inscription

I am not using The Magic Memories as a platform to sell my books, videos etc., only exceptionally will I make reference to a creation of mine if it fits the rest of the content.

However, I know that most who read this blog have also bought one or more of my offerings, and are recommending them to others. So, I would like to take this occasion to thank all of you who help promoting whatever I have published and will publish in the future: Your comments on the social media and on the forums (or “fora”) are much appreciated.

Please remember and tell your friends that you can ask for a personal inscription in and on all items you order from me directly, but this must be mentioned on the online-order form, as there are too many who are giving my books to others; it is mostly women who give to their boyfriends, husbands, and sons – I wish there would be more men giving to women…

For anything needed you can always get in touch with me through the “CONTACT” menu item on my webshop. But please understand that I cannot get into a lengthy correspondence, nor answer questions that get answered by themselves if you read the item descriptions on the webshop, or if you read the instructions carefully in my books 🙂

The Magic Memories 2021, 2022, and 2023 All-in-one PDF

At the end of 2021 I made up a rather detailed Table of Content for The Magic Memories 2021, and if you are interested, you can download the PDF HERE.

I could not find anything for The Magic Memories 2022, so must have skipped that one… but I made up one just now for you, copying my own pro memoriam and making it into a PDF: You can get it HERE.

Finally, to download the (briefly) commented Content of The Magic Memories for the year 2023 CLICK HERE.

If anyone reading this wants to gather all The Magic Memories of the year 2023 in one PDF, you have my blessing, and if you do, please send me a PDF-copy to share with our community.

I made only brief comments to the items included, but it should suffice for anyone use the “search” function to find most contents… and you can add your own, if you wish.

Is the Classic Pass Necessary?

In compliance with my own resolution made above of answering questions, here is one that dates back over a year (oh my!).

Emir Kumalic from Vienna, Austria, asked a question several others have asked before: “Why did you not include the chapter on ‘The Classic Pass’ in your video course Card College 1&2 – Personal Instruction?”

Indeed, the Classic Pass is taught in Card College 2, the book, but not in the Card College 1&2 – Personal Instruction video series.

There are three reasons for this.

One: Although I do use the Classic Pass occasionally, and can also do it unseen in front of a lay audience, I cannot do it invisibly if the camera focuses on my hands. Neither can 99,9% of those doing card magic (see “Two” and “Three” below).

Although everyone with a little performing experience knows that doing a sleight for a film or photographic camera, as opposed to doing it for a human being who normally has two eyes and a brain (we hope), especially a beginner who is learning from a video, will simply judge from what he or she sees on the video, and because they “see something” will decide this cannot be done and be discouraged. Therefore, I have opted to leave it out on video, and teach it in print, where anyone who is over-talented and practices a few hours a day, for weeks, for at least one or two years, can indeed learn it, for all the information you need is there.

Two: The second reason is closely related to the first, as in the fifty-one years (as of 2024) of doing magic and watching thousands of magicians, I have only met a handful who can do the Classic Pass imperceptibly if you look at their hands. Yes, there are hundreds who can do it imperceptibly in the context of a performance with the adequate psychological staging and misdirection, and I count myself among these.

Also, I would like to say, thatI I do not know of any effect (mind you “effect”, not “trick”) that could not alternatively be done with another technique and look and feel at least as good for a lay audience.

I know that some “experts” will tell you this is not true and that I do not know what I am talking about, well, take it from me, who is also considered an “expert” by many, that they are wrong 🙂

Of course, that is all just my opinion; I have to repeat this at least once a year in this blog and in other writings of mine.

Certainly, if you do a Color Change with a Classic Pass, everyone at a magic convention will admire you, but if you do the same effect, i.e., transforming a card into another one, by using a Palm, which is a lot easier (and clearer in effect!), if properly done, you will get a knowing nod at best. (BTW: To do the Color Change with a Palm reread “The Side-slip Color Change” in Card College 3, and see it done in “Lesson 34: Color Change – Classic Color Change” of the Card College 3&4 – Personal Instruction video series).

However, to a lay person it will not matter by what technique you obtain the transformation. What does matter, though, is how it affects the spectator emotionally and intellectually, our eternal Aristotelian Logos and Pathos.

So, if you just transform one card into another, nobody really cares (an exception being if you do a beautiful little routine as did José de la Torre – see The Magic Memories 71).

BUT, if you have a card chosen, then fail in finding it by displaying a wrong card, then you have added a conflict that gasps for a resolution, and what better way of resolving a conflict than by the power of magic (in a theatrical, artistical sense, of course).

I did not understand this myself, until Juan Tamariz in one of our innumerable sessions, taught this to me when I was a young man.

Only now do the spectators get involved – head and heart – and can feel the cathartic effect when the magic happens, when a wrong becomes right, when in a symbolic battle the good defeats the evil in an esthetically pleasing impossibility.

Erdnase, in 1902, said that the pass has yet to be invented, which can be done invisibly under all circumstances.

And Stanley Collins writes in his Gems of Personal Prestidigitation (p.77), a rare publication reprinted as an appendix in Edwin Dawes’ Stanley Collins – Conjurer, Collector, and Iconoclast: “If you must control a selected card by means of the outmoded double-handed pass, at best a barbarous device for the purpose, don’t withdraw the hands in an endeavor to cover the sleight. always thrust the hands toward the drawer of the card. By this means, the sleight even if done as badly as it is usually done, is less likely to be detected.” Collins wrote this in 1920!

Three: In Card College 4, the book, and in “Chapter 49 – Advanced Pass Techniques” of the video series Card College 3&4 – Personal Instruction, there is a whole chapter on different kinds of passes, which in my opinion are easier and more practical than the Classic Pass, such as “The Spread Pass”, “The Bluff Pass”, “The Simple Pass” (very good!) etc., or in Stand-up Card Magic the “The Parallel Shift”.

All of these Passes plus others I did not mention, are discussed in detail in my video course Card College 3&4 – Personal Instruction.

The topic deserves to be discussed in a lengthy essay. I won’t do it here. But in my opinion you should invest your time in learning all the other techniques on the course properly before devoting time to a sleight you will very probably never use. But then again you might belong to the 1:10’000 who can do it properly 🙂

Hope all of this was of some help.

Irv Weiner aka Mr. Fingers

To close this week’s The Magic Memories here is a goodie as a little additional New Year’s Present. 🙂

Some of you will remember my narration in The Magic Memories 152 of what I called “The Samelson Reunion”, with Peter Samelson, P. G. Varola, his wife Helen, and Mauro Massironi, a meeting on Lake  Maggiore (Switzerland and Italy).

In one of the many discussions Peter brought up the name of Irv Weiner, whom I knew only from one single trick, “Three-way Excursion” in  “Chapter 41 – Packet Switches” from Card College 4. You can see me do the trick in “Lesson 37: Packet Switches” of the Card College 3&4 – Personal Instruction video series, there called by a different title, “Three-way Odyssey”, because it comes in a considerably updated version.

As a last-minute extra that I originally did not intend, I will give you the performance part of this new version, with a first phase that is not in the book plus a super-clever packet switch that is also not in the book, however, the core trick, the triple transposition, is all Irv Weiner’s, with just some handling adaptations by me.

To see me perform “Three-way Odyssey” CLICK HERE.

Now back to Irv Weiner: The video you are about to watch shows that Mr. Weiner’s technical skill, originality and presentational abilities all far surpass what most of us knew about this gentleman.

The clip comes courtesy of Scott Martell, who put up the video in the first place and from whom we may expect a book about the life and work of Irv Weiner sometime in 2024 (we hope!),  Peter Samelson who facilitated the contact, and myself.

In this recording Irv Weiner, aka Mr. Fingers, performs for a small group on Northern Illinois University campus circa late 1970. The quality is not very good, but you will be able to see and hear everything necessary, that’s the point. To watch the video CLICK HERE.

Hello everyone!

Today’s topics are: (Very) Quick End-of-year Review; New Year’s Eve – Sylvester: An Anecdote; Addendum to “How Did You Do That?”; Giobbi on Vernon’s Hand-to-hand Card Transfer (video clip & PDF); Roberto Giobbi: Complete Bibliography, Status December 2023 (PDF)

These are The Magic Memories 157, gone online Sunday, December 31st, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

(Very) Quick End-of-year Review

As you are reading this it is the very last day of the year 2023, at least for those who are living according to the Gregorian Calendar, and most of us are therefore probably getting ready to celebrate this event in some way or another 🙂

It has been an eventful year for me, for magic, and for the world at large.

As far as I am concerned, I have reported many of my undertakings, travels and adventures in these The Magic Memories, which all who care can easily access HERE, so I can spare us that part.

As for what happened in the world at large in 2023, you will find excellent reviews of the most important events online. It is not to be overlooked that these events have impacted our small magic world in significant ways, fortunately not only negatively, but due to the return to a mostly “normalized” life after almost three years of hiatus also in a very positive way, bringing back live shows, conventions, etc. I hope you had your share of it, as did I.

In reference to the Magic World itself, looking at all the publications, tricks, conventions and various events that marked the current year, I can only say that magic is still going strong, possibly stronger than ever, certainly quantity-wise, but in spite of all the mediocre ideas, products and shows, also quality-wise.

Briefly: As we leave a forceful magical 2023 many signs point to a even more successful and eventful 2024. I wish you and I to be part of it.

So, for me personally, I will try to keep in touch with you through The Magic Memories, provided I do not receive too many protests (tomatoes, eggs, etc.), I hope to complete the Unexpected Agenda, the book project I am currently working on as much and as often as I can (see the “Little Update on Unexpected Agenda” in the upcoming The Magic Memories 158). Plus the many things that will come up and are unplanned.

New Year’s Eve – Sylvester: An Anecdote

When I turned to magic professionally in 1988, many wonderful things happened to me.

One of them was that my much admired friend Gaetan Bloom, on of the geniuses in our world of magic, who apparently thought highly of me, without asking me recommended me to one of the most important and influential agencies in Europe, Tavel International Agency with headquarters in Paris, and owned by Monique Nakachian, whom I would only much later meet personally, in 2006, when we both sat in the jury of FISM 2006 in Stockholm!

So, I got an unexpected call from Mrs. Nakachian with a proposal to work for three weeks in the famous “Cabaret du Casino” of Monte Carlo; that was in January of 1989, and it is a story I have told in one of the previous The Magic Memories. If I haven’t, and someone tells me so, I’ll catch up in a future post.

Her customer seemed to have been so pleased by my magical offerings that a few months later she called again, asking me if I was free at New Year’s Eve to do magic in a holiday resort. She offered two options: One, somewhere in the Arabian Emirates (can’t remember exactly where), and two, on an island of  the French Antilles.

Although I had already a computer at that time and used it to write my first books, articles, contracts, etc., no Internet was available, yet.

So, I had to rely on my high school knowledge of geography. Unfortunately, geography was one of my least favorite subjects, like most others… which is why I somehow thought the Antilles to be those islands in the Mediterranean Sea (yes, I know… now).

Therefore, without further checking, I decided to take the destination that was nearer by, just a short flight, I thought… We quickly agreed on everything over the phone, and Mrs. Nakachian promised to send the contract by mail in the next days (no email, let alone PDF-attachments, at that time…).

After hanging up I proudly declared to Barbara, my wife-to-be in 1990, that I had just got a booking on the mediterranean island of the Antilles…

Barbara, to this day smarter and more knowledgeable than I, looked at me disdainfully and without missing a beat said, “The Antilles, my dear, are in the Caribbean Sea, and Fort de France, where you have to fly to, being the largest city of Martinique.”

Gulp!!! Too late…

But the punchline has yet to come…

Mrs. Nakachian called again two days later, “Mr. Giobbi, I’m sorry to report that there is a problem with that booking on Sylvester…”

Oh, my.

“This period is peak season in the Caribbean, and we couldn’t get any flights on that day. You will have to fly in four days earlier and stay another three extra days before you can get your flight back. Is that a problem?”

Uh-oh…

However, she quickly added, “But of course you’ll be given a standard guest room with view on the sea, and all drinks and meals will be taken care of.”

OK, no problem!

To appreciate the situation, you should know that the hotel in question was the Hotel Meridien, a five-star hotel considered the best on the island of Martinique, owned by Air France, at least at that time it was.

I was then told the regular weekly rate for half-pension was around $ 10’000 per person (according to the inflation calculator $10,000 in 1989 is equivalent in purchasing power to about $25,539.71 today).

Definitely, no problem!

I had a direct flight from Paris to Fort de France, which is part of French Territory, was transferred by private boat from the airport to the island, and then taken by limousine to the Hotel Meridien.

Well, frankly, I had never been in a place like that before! Decadent luxury pure: White sand beach as far as you could see, palm trees, blue waters all around, a cocktail bar and a restaurant, all in style to fit the local environment, briefly, possibly the preliminary stage to Paradise.

I remember I worked some two or three hours doing close-up during the dinner of Sylvester, and then spent the rest of the days, before and after, sun-bathing on the beach, swimming in the Caribbean Sea, taking part in several excursions and outdoor pursuits, as well as dining on local langoustes, lobster and wine, with no-limit cocktails before and after, all free of charge, in the company of some beautiful people…

This is were I thought: This artist’s life is going to be a hard life! But I survived it, and many similar adventures thereafter…

Addendum to How Did You Do That?

In reference to last week’s discussion of what to answer when a spectator says, “How did you do that?”, Gordon Meyer from Chicago wrote in and agreed to share his answer:

“Hi, Roberto – First off, thank you for the good ideas!

Secondly, well, I’m happy to say I was one of those 300 Secret Twitter subscribers and loved it. It was innovative and interesting.

Finally, the real reason for this note: When asked “how did you do that?” I often reply “Well, the deeper question is ‘why did I do that'” — delivered with a raised eyebrow and a small laugh. My internal dialog for this is that the magic points beyond the trick, but you’re missing it!

Thank you, Gordon, a good answer. Not all will get it, but for those who do, it might be a start to an interesting conversation that opens a door into our Magic Kingdom to them.

Giobbi on Vernon’s Hand-to-hand Card Transfer

In order to make this week’s The Magic Memories, the last of the year, not a chatter-only one, here is a little sleight-of-hand bit that those might like who like this sort of thing… and it will keep you busy for a while 🙂

In my Evernote Notebook I have a lengthy note on so-called “Hand Transfer Techniques”, i.e., methods that allow objects, mostly cards (!), to be transferred imperceptibly (that’s the idea…) from one hand to the other, and sometimes back again.

Looking through it in search for items to put in the upcoming Unexpected Agenda (a part of the entries will be, like in the other Agendas, original and/or little-known techniques and technical refinements) I hit on Dai Vernon’s method that was described in Hugard’s & Braue’s Expert Card Technique, in the third edition of 1950. Since this chapter is missing in the first two editions and the reprints thereof that many seem to have, I have taken the liberty of copying the original description for you HERE (the book is now out of copyright and in the public domaine). You may know this already, and if you do not, I suggest you do a little read before proceeding.

In difference to Vernon’s technique, which I could never get to work 100% for me, I simply use friction to get the card from the palm of one hand to the palm of the other hand. No further description is necessary, I think: Simply watch the video a few times and those who are used to tackle such things will get it, for the others it should just look amusing 🙂

To watch the twelve-second video CLICK HERE.

Roberto Giobbi: Complete Bibliography, Status December 2023

Since these The Magic Memories mark not only the end of the year 2023, but also the end of the third year of publication of this blog, I thought I would give in to the request of several of my readers who asked if there was a list of all my publications.

Well, if you really want to take the time to sift the evidence, HERE IT IS as a PDF.

Ok, now let’s all get ready for the countdown for 2024, have an excellent transition, and Happy New Year! (I entered “best firework in the world” into my search engine and GOT THIS – whether you agree or not, enjoy!

Roberto Giobbi

Hello everyone!

Today’s topics are: The Magic Calendar of Good Ideas – The Complete File (PDF); Secret Twitter; Feedback – Graved Lax – Variation on “Wild Business”; How Did You Do That – Ten Answers… And Some More

These are The Magic Memories 156, gone online Sunday, December 24th, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

The Magic Advent Calendar of Good Ideas – The Complete File

What started out as a spontaneous idea in a discussion with my wife Barbara – she who illustrates all my books (!) – has become an unexpectedly successful full-fledged “product”.

It seems to have pleased more people than I had anticipated, and also got some heartfelt comments from all around the world.

I would like to take this opportunity to thank all of you who wrote in with kind and encouraging words and have sent in thoughts of their own.

Several have missed the first issues, and the reason for it is that they were not on the newsletter list although they thought they were. The explanation is that about two years ago the laws for mailing have changed, at least they have so in Switzerland, not sure about the rest of the world, and everyone who sends out mails to a list had the get the express OK of the subscribers to be on that list. And to my knowledge there is no other way of sending out a thing as The Magic Calendar of Good Ideas than sending it to a mailing list.

What sounds legalese and is legalese boils down to one simple thing: I had to delete my list, and you had to re-subscribe to the newsletter. So, many who had subscribed before were thrown out without their fault and my intention.

Bottom line: If you want to receive next year’s The Magic Calendar of Good Ideas, or any other message, ideas, product etc. from me, please go to www.robertogiobbi.com right now and enter your email into the subscription field (you can unsubscribe anytime with just one click). Even though you might think you are on the list (TEST: If you did get my daily mails with The Magic Calendar of Good Ideas, you are on the list and do not need to act, if you did not get it, you are not on the list and therefore must subscribe.)

At any rate, here is for your file a PDF with the complete twenty-four items of The Magic Calendar of Good Ideas, as a gift, free of charge, with my very best wishes for the Holiday Season and the New Year!

To download the PDF CLICK HERE.

PS: Yes, you can send this around to your friends 🙂

Secret Twitter

The Magic Calendar of Good Ideas is an obvious member of the “Agenda-Family” of which Secret Twitter holds a special place in my heart.

Not only was it terribly labor-intensive; the low price and the fact that we sold less than 300 units made it completely unprofitable.

So, although I am an artist, I am not stupid, as my friend Aldo Colombini used to say, and I will never again embark on such a project.

Still, looking at it again from a distance, I must say that it is full of great ideas, if you will forgive the immodesty: If, from the over 400 entries, you extract the ones that are meaningful to you, you will have your personal PDF of “Good Ideas” to occasionally revise – this will be worth many times the lowly asking price.

Here is what a reader wrote in answer to “A Quick Trick” published in The Magic Memories 154:

OMG! I love this trick BUT even more, I went back to look at the Magic Advent Calendar…which on 19 Dec, lead me to the Secret Twitter and I started reading some of the tweets… which should be named treats!

Even though I had read them before, I was astounded that I gained even MORE re-reading them!

Come to think of it: Several have asked how they can thank me for this full year of The Magic Memories, always delivered on time (0:07h!) and The Magic Calendar of Good Ideas, all free of charge, plus the several PDFs and video clips included in this year’s posts.

Well, why don’t you make a gift to both you and me, and order Secret Twitter; 50% of the amount will go to me, the other 50% are for Chris from lybrary.com. To get Secret Twitter,  CLICK HERE.

Feedback

It’s certainly nice to get all your feedback, thank you 🙂

Please understand and forgive that I cannot answer each and every one personally, but if I think that it is of general interest, I will publish it here in The Magic Memories with your consent.

Graved Lax

JR Russell from Seattle wrote in to say that he will be preparing Graved Lax for the festive days.

So, all of you who do not know what this is about go and enter “roberto giobbi graved lax” in the YouTube search field, and you will have an excellent dish to celebrate the New Year. Note that the preparation and the presentation are on two separate short videos.

JR pimps his Graved Lax up by adding a few dashes of Gin to the marinade which has then 48 hours time to marry with the Lax – what bridal nights!

Wild Business for the Holiday Season

Marius from Kiel, Germany, wrote in to offer a swell variation of “Wild Business” discussed in The Magic Memories 155. It is most fitting for these days, but is also an open door to adapt to almost any topic, situation and target audience (Trade Show magicians hear hear). In Marius’ own words:

Dear Roberto,

Thank you for all the effort you put into these Magic Memories, it is always a pleasure to read. Here’s a little idea I had for a Christmas themed card trick for the holidays based on “Wild Business” I’d like to share with your readers:

Material needed: 9 double blank playing cards, 9 Christmas themed stickers (all alike, e.g. a star), a bunch of different Christmas stickers (snow man, Santa Clause, candy cane …).
Preparation: Prepare the cards as in “Wild Business”, i.e. put the same sticker on each of the eight blank cards, leave one of the cards blank. Set the nine cards up as described in “Wild Business”.

Performance: Start by saying “As it is Christmas soon I will show you how a Magician produces Christmas cards” (this obviously makes for a nice word play: playing cards / Christmas cards). Introduce the blank cards as described in “Wild Business”. Now introduce the bunch of different Christmas stickers as possible motifs for your cards and force the “correct” one (in this case the star) on a spectator via your favorite method, thanking the spectator for choosing a nice motif for the Christmas card. Proceed as in “Wild Business”, i.e. attach the sticker to the double blank card saying something like “this will be our prototype for the Christmas cards”. Proceed as in “Wild Business” and magically produce nine nice Christmas cards. (As I don’t own a himber wallet my trick ends here, but you could certainly add the vanishing-stickers-part).

Greetings from Kiel, Germany and happy holidays!

How Did You Do That – Ten Answers… And Some More

Today is Christmas Eve, a day that makes many wonder, for various reasons.

And I just wondered if I had ever written about that question we all get more or less often when we perform our “miracles”: “How did you do that?”

Yes, in the Theory Chapters of Card College Volume 2 I have touched on the subject very briefly (p. 473, in the sub-chapter “Outs for Disasters and Disturbances”), and later in a lengthy essay on “Smart Answers to Stupid Questions” (if memory serves me right this appeared only in German language), and also in Secret Agenda (“How Did You Do That?”, entry of FEB 20, p. 59).

For those who still do not have Secret Agenda, neither as a book nor as a PDF, here is the PDF of the page as a further gift to you – CLICK HERE.

May I suggest that you read the short one-page article from Secret Agenda before proceeding. BTW: Einstein’s quote in the article is not complete, it should be: “Imagination is more important than knowledge. Because knowledge is limited.” Don’t know how that was left out…

Over the years I have collected answers, some amusing, some serious, some not so good (I list them here anyway because the “not-so-good-answers” also teach a lesson). Here is a selection, for your edification and use:

“I don’t even know myself!” (Kuda Bux – read in Perovich’s The Vernon Companion)

Slydini says to Dick Cavett at the end of his One Coin Routine, when asked, “How do you do that?” Slydini, “How I do? I don’t even know myself!”

“Better to take pleasure in a rose than to put its root under a microscope.” (Oscar Wilde)

“It’s a profession.”  (RG)

“If a wise man points to the moon, don’t look at his finger.” (Confucius?)

“What really has meaning in art is joy.
You don’t need to understand.
What you see makes you happy?
Everything is here.”
(Constantin Brancusi)

Someone once tried to understand music. He took a violin apart, but he could not find any music inside.

An atheist Cosmonaut said to a believing brain surgeon: “I’ve been navigating the universe for years, but I could never find God.” The brain surgeon answered: “I’ve been operating on thousands of brains, but I could never find an idea.”

“Like the Gauls – I take a magic potion!”

“You’ll have to admit that if there is no trick, it’s great, but if there is one, it’s even stronger.” (Myr & Myroska, in: Rémi David, Philosophie de la magie, p. 70)

“You don’t have to understand, for to understand is only the second step. You have to feel.” (Jorge Luis Borges)

„Well, you may find it difficult to believe, but it is a complicated thing, and it requires talent, thought and a lot of practice.“ (RG)

And, inevitably, I also asked ChatGPT for ten answers, which I’ve listed below without changing a iota, but frankly, I do not think that they are very good ones. Well, maybe #2? Let’s see what you think:

1. “Oh, it’s all in the wand – it’s a very magical piece of wood!”
2. “Trade secret! I’d tell you, but then I’d have to vanish you too.”
3. “I could tell you, but then I’d have to turn you into a rabbit. It’s a whole process.”
4. “I’m actually a wizard in disguise. Shh, don’t tell anyone!”
5. “Well, it’s a mix of Hogwarts training and a dash of unicorn dust.”
6. “I can reveal my secrets, but it requires signing a pact with the mischievous trickster spirits.”
7. “I summoned the spirits of Houdini and Merlin for a crash course in magic.”
8. “It’s a closely guarded secret passed down from magician to magician via carrier pigeons.”
9. “I attended the School of Enchanted Deception – you’ve probably never heard of it.”
10. “Trade secret, or as we say in the magic world, ‘Abracadabra-nDA.'”

I you have an answer that you like and use and want to share with me and the community reading The Magic Memories, please send it in via the “Contact” item on the homepage, i.e., info@robertogiobbi.com.

That’s it for today. Our son Miro is visiting from Zurich and staying with us over the Xmas days, and Rafael will join us tomorrow for Xmas Eve, with gifts and a dinner in all gemütlichkeit. And now I’ll join Barbara and Miro for a yummy Swiss Raclette (it has to stink a bit, or else it’s not real cheese)!

I’ll be back for the last The Magic Memories of this year on the 31st December.

Meanwhile, wish you all an excellent week!

Roberto Giobbi

Hello everyone!

Today’s topics are: Replacement for #7 The Magic Calendar of Good Ideas; It Really Happened – Anecdote: Who is Killing the Great Chefs of Europe?; Sunday Magic at the Zauberring Basel (“Wild Business” PDF and YouTube clip)

These are The Magic Memories 155, gone online Sunday, December 17th, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

Replacement for #7 The Magic Calendar of Good Ideas

As several among you will have noticed, I smuggled in a duplicate item into The Advent Calendar of Good Ideas, just to see if you pay attention 🙂

Thank you to all those who wrote in, and here is the correct entry for the 7th December:

On December 25th, the day after the last entry, I will gather all the daily posts into one single PDF, with a title page and a short foreword, and you will be able to download all in one document, from which you can then extract your favorites, if you wish to do so; and I’m considering placing them in a poster some may want to print, but I’ll have to convince my free labor assistant (my wife Barbara!) to do that, because my skill stops at a Center Double Lift…

It Really Happened

I just finished re-watching one of my all-time favorite movies, Who is Killing the Great Chefs of Europe?, with Robert Morley (outstanding!), Jacqueline Bisset, George Segal, Philippe Noiret etc., directed by Ted Kotcheff.

My edition of the DVD contains a “Making of…” with a lengthy interview with director Kotcheff that I found most interesting. To me such personal interactions are much more fascinating and useful than most of the modern “making of” that show a lot of action from the movie. I am interested in the “constructivist” aspect of a film as it relates to how we construct our magic. Yes, a big subject not much has been written about, well, maybe another day…

In the movie chef Jean-Claude Moulineaux – a fictitious name, of course – prepares a “Canard pressé”, a pressed duck, for a dinner at Buckingham Palace. Briefly, a roast duck carcass is slowly pressed and crushed between two silver plated metal plates to extract the remaining juice and blood, which is then used to make a sauce and served on top of the sliced duck breast.

Pour le petite histories (english: anecdotally) it may be said that the dish, first served in the 19th century in “La Tour d’Argent” in Paris, a restaurant that remains legendary to this day (although some say it lost some of its glamour and quality, although I cannot confirm this, since the Bistrot cuisine in Paris is so excellent, that I only very rarely go to the overpriced star-studded places when in la grande capitale).

Anyway, as I was enjoying the film, it reminded me of a story that really happened to me at the very beginning of my professional career (ca. 1988):

I was performing close-up in “Schloss Böttstein”, one of the many castles here in Switzerland, that have been bought by large companies, refurbished, most nowadays hosting a high-end hotel and/or restaurant.

On one particular night, Harry, the tenant of the castle, had invited the owners and chefs to the most prestigious restaurants in the area. There were about thirty of them, and they had finished dinner, when Harry asked me if I would do some magic for them.

So I did, and judging by their reactions they liked it 🙂

I was invited to stay with the guests and have coffee and drinks. Who am I to refuse such an invitation?

At some point Harry asked for everyone’s attention and presented an object which he explained he had obtained from a recent auction. Expectantly looking at his guests, with an impish smile on his lips, inquired who knew what this was.

Silence.

Nobody seemed to have any idea.

So, Harry, who wanted to play yet another practical joke asked me: “Roberto, you, who are such a good magician, would you know what that is?”

Well, it so happened, that just a few days ago I had seen for the first time the above-mentioned film, were the duck press is used to kill Moulineaux, and I immediately replied, “Sure, Harry, this is a so-called duck press. It is used to put the carcasse of a roast duck into it, in order to press out all its juice, which is then used as a base for the sauce of ‘canard pressé’!”

I was the hero of the evening, and my magic forgotten… what a moment of triumph which I remember to this very day!

Sunday Magic at the Zauberring Basel

I wanted to mention this a while ago, but get to do it only now: In November of this year I was asked to participate in our club’s “Sunday Magic”, a monthly magic show that was initiated and capably conducted by Kevin Stieger.

It is a kind of “Open Stage”, where members of the club can try out new material, and confirm some old one, too 🙂 Plus Kevin always invites one or two magicians who are traveling to be part of it, although it is all done on a voluntary basis.

The event lasts almost two hours, with a break for drinks, and as long as it exists it has always sold out. It takes place in the club venue of the Zauberring Basel, my local magic club, hosted in a small theater, so we can offer our audiences close-up as well as stand-up and stage.

Kevin put me as the closing “act” of the first part, were everyone did close-up at a table with the audience sitting around it.

See the photo below, where I just started performing my “Wild Business” routine as the opener of my “act”. I put “act” between inverted commas, because I do not have an act, neither for close-up nor for stage, at least not by the standard definition, as I do not think it is necessary. Over thirty years of quite successful performances on four continents have proven that this works, at least for me. Of course this does not mean that to have an “act” in the traditional sense is not a good idea. I hope to be able to comment on this subjects and others related to it, such as scripting etc. in a future The Magic Memories – you might have to remind me of it…

In case you are curious, here are the pieces I did:

I opened with “Wild Business” (see the link to the video clip as well as the PDF with the explanation of it below), continued with my handling of “Gipsy Thread” (on my video “Penguin Live – The Act”), followed by “The Deck of Missed Opportunities” from my book Confidences, and finishing with “Fantasy – Reality”, a lengthier routine combining Pavel’s “Traveling Queen” discussed in The Magic Memories 69, which I combined with the climax from “Prediction at a Risk” from my book Stand-up Card Magic, using Louis Lam’s wonderful finale with money coming from the envelopes initially not chosen, the chosen one containing the prediction of the selected card (Lam’s idea is in his publication Be Deceived, there called «Coincidence», p. 19, from 1939, proving that it is worth perusing older publications without having to buy all that new stuff…

To watch me do “Wild Business” many years ago at the British Magic Close-up Symposium CLICK HERE.

And if you are eager to perform this piece, or are just interested in learning about the background of it, as a little gift to you, I extracted the article that explains the trick plus the short essay on how to use mind mapping in magic, from the Genii issue that had me on the cover in November 2009; HERE is the PDF.

That’s all for today, folks – look forward to chatting with you next week-end.

Wish you all an excellent week!

Roberto Giobbi

Hello everyone!

Today’s topics are: What Will Not Go Into the Unexpected Agenda; The Advent Calendar of Good Ideas Addendum; Pol Pollux Ninetieth Birthday; A Quick Trick; The missing link (Pepe Carroll FISM 1888 card act)

These are The Magic Memories 154, gone online Sunday, December 10th, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

What Will Not Go Into the Unexpected Agenda

I was performing at the Close-up Gallery. I remember very well that at that time the fee for one week’s work, i.e., 21 shows on seven days, was $ 500, plus you got $ 200 for doing two shows at Friday Lunch, plus $ 300 for the lecture on Sunday in the Parlor of Prestidigitation. That was a total of $ 800, but I had to pay for my intercontinental flight, the hotel and most of the food. I leave the math to you… Still, it was an experience not to be missed (but I had to pay the price).

Now, under new management, the conditions have greatly improved, and even if you come from abroad and still have to pay your own travel, you can expect to bring home a little something. Times have changed 🙂

Anyway, here is the story:

I was working the Close-up room with a “card act” of about twenty minutes plus. Part of it was a piece that you can find in Card College 5, titled «All’s Wells That Ends Wells» (not a typo, but an allusion to H. G. Wells’ novel The Time Machine). My trick is based on Larry Jennings’ “Morlock’s Revenge” from one of the Symposium books.

When I did this trick within a card routine in the Close-up room of the Magic Castle many years ago, Larry Jennings came to watch me three times (!), and afterwards he asked me why I had changed his routine around – he liked my version better than his! As you can imagine, this was quite a compliment for Young Giobbi.

Vernon was not in that week. Jennings said that if he had been in, they would have named me «Close-up Magician of the Year».

I have no idea if this is true, and if Vernon was so influential in giving that title, but the story is true, and I like to remember it.

The Advent Calendar of Good Ideas Addendum

Thank you to all who wrote in to say they like The Advent Calendar of Good Ideas, to appear daily in your mailbox until December 24th, provided you have put your email in the subscription field of the newsletter on the webshop.

Some came a few days late and are asking if they can receive the ones they missed.

Briefly: Not now, but on DEC 25th you can.

Explanation: Due to the way this is automated I cannot install a function that sends back items (at least I have no idea how to do that…).

BUT: On December 25th, I plan to give you the entire 24 Calendar entries in one PDF, so you have all together, can review them, and maybe extract your favorites to reread from time to time.

Pol Pollux Ninetieth Birthday

Pol Pollux, the “World’s Only Card Juggler”, as he billed himself in the decades of his successful professional life, turned ninety on November 28th, 2023.

I’ve known Pollux, whose real name is Rudolf Hägler, for many years now, and we are both members of the Zauberring Basel (ZRB), the magic club of Basel (Switzerland).

When I became a member in 1977, Pollux was already an established professional magician working internationally.

On rare occasions, when he came back to Basel, were he keeps an apartment to this very day, he would visit the club and tell about his many travels around the world, in an era when there were still top class nightclubs booking artists. I always listened in awe, never imagining that one day I would myself embark on a professional career in magic!

Pollux was always very supportive of my efforts, and kept saying to others about me: “He’s our best man!” Never mind its truthfulness, it was balm on the soul of Young Giobbi. Pollux is one of the people I owe a great debt to for having encouraged and believed in me: Danggschöön viilmool, Pollux (Baseldytsch Swiss German for “many thanks”).

Again, I hope to tell you more about this man, who very early in his life made his dream come true by turning professional, at a time when in Switzerland there were only very few who dared doing this.

Anyway, Pollux has become a dear friend over the years, especially now as he has retired and we see each other more often, and I congratulate him to his fantastic birthday and wish him well for the next ten years, when we will celebrate his hundredth birthday!

There is a lovely post by one Judge Brown, with details about Pollux’s career, complemented by a rich iconography. To see and read CLICK HERE.

And for all those who understand Swiss German, or just would like to hear how it sounds, well, Kevin Stieger and Lorenz Schär put together a nicely made video with friends congratulating Pollux on his ninetieth birthday: To watch or just quickly look into CLICK HERE.

A Quick Trick

Here is a quick trick you can use for any situation really, but which I created to open a Close-up Gala at a Magic Convention.

The deck can be fully stacked, with just a blank-faced card 2nd from the top in the face down deck.

“Good evening, I’ve been told I only have ten minutes, so I need to hurry up. A deck of 52 cards… (fan), … you can count them: 1, 17, 52… (Dribble Waterfall Gag)… and this is your card!”

Produce the top card in a flourishy manner, and let the balance of the deck fall into left hand Dealing Position, as the right hand displays the top x-card. Look expectantly at spectator “The X of Y – was this the card you took?”

He will (hopefully) say, “I didn’t take any card.”

Top change x-card in hand for the blank-faced card resting on top of balance. Look at its face yourself, without showing it for the moment, asking back, “You didn’t take any card?”

After three seconds of hesitation show the blank card, “Correct!”

As the audience reacts, do the Jinx Switch: The right hand puts the blank card back on top of the deck, takes all minus the bottom card, the latter remaining face down in the left hand, and places the balance of the deck on the table. Look at the supposed blank card, really a duplicate of, e.g., the 5D. Put aside, or in breast pocket, still visible to all, back to the audience, naturellement. They think it’s the blank card.

Continue (optional): Force the regular 5D from the deck, make sure everyone sees it (!), and then lose it in the deck.

Say that you will find the card. Look through the deck, but pretend not to find it. Say that all cards are there, so one must be his… do a Dribble Flourish, apparently counting the cards, “1, 2, 3… 51! Oh, one card is missing?!”

Look at card initially put aside, supposed to be blank: It is the 5D, the selection!

If done in a stand-up situation, don’t even bother stealing the duplicate 5D out of the deck.

Can also be used simply as a quick opening gag: After the blank card is shown, simply put it away, and then start performance.

The Missing Link

This week’s link will take you to the card act Pepe Carroll from Spain performed in 1988 in The Hague at the FISM convention. For this he was deservedly awarded the First Prize.

It will amuse you to know that I also entered the same competition and became second, as one of the judges afterwards told me with 0,9 points on 100 behind Pepe 🙂

Pepe was a very good friend, and we both had Juan Tamariz as our mentor, often meeting when I came to Spain visiting Tamariz. I’m determined to tell you more of my personal get-togethers with him as he was without doubt one of the most extraordinary cardicians I’ve ever met in my life – I hope to do so in the near future.

Meanwhile, to enjoy Pepe’s FISM act CLICK HERE.

Wish you all an excellent week!

Roberto Giobbi

Hello everyone!

Today’s topics are: The Unexpected Agenda; The Magic Advent Calendar of Good Ideas; Cloned Video With AI – Ascanio; The “Easy” Stuff From Sharing Secrets; The Missing Link; JPG and Video Compression

These are The Magic Memories 153, gone online Sunday, December 3rd, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

The Unexpected Agenda

First and foremost many thanks to the over 50 (fifty!) who wrote in in answer to last week’s inquiry if you would be interested to have a third (and last) “Agenda”, similar to Secret Agenda and Hidden Agenda. OK, I listen to you, and if all works out well, you’ll have it for the Holiday Season next year, tentatively titled Unexpected Agenda.

Secret Agenda is still available, from me, as a book or as an e-book (PDF), the book signed to your name (request on the order form), from your favorite dealer (not signed…), or from the publisher Penguin Magic directly postpaid (not signed).

Hidden Agenda, published by Vanishing Inc., unfortunately has been out of print for five years now, and I’m tired of asking them if and when they will reprint… in the new year I might try to fight them to relinquish the copyright to me, but they have become tough guys since they are now “the biggest magic store in the world” (so they write on their own webshop). I’ll keep you posted.

The Magic Advent Calendar of Good Ideas

This is a new idea, and I hope you like it: In December 2021 I wrote The Magic Calendar, where I posted one installment for every day from December 1st to 24th, the Advent days of the Christian calendar. Obviously, “Advent” was only a “McGuffin”, as anyone could enjoy it, completely independent from religious connotations, the only condition being a love for magic.

Many have asked me to repeat this, but, the day having only 24 hours, I am incapable to do so.

However, the project appealed to so many, even to myself (the most important thing!), that I decided to bring it back in a minimalistic form, and I call it The Magic Advent Calendar of Good Ideas.

If IT and Internet allow it, I will send out one “good idea” a day, from December 1st to 24th, via the “Newsletter”-app, i.e., in order to receive it you have to subscribe to the “Newsletter” – due to the new laws for the protection of privacy I cannot do that, YOU must do it.

You can unsubscribe at any time, but as most of you know, I’m not a dealer, and therefore you will only receive a “Newsletter” when I publish a new item…

As you are reading this, those who have registered for the “Newsletter” should already have received two installments, with the third on its way. If you did not receive them, it means you have not subscribed to the “Newsletter”, so, please, do it now.

I hope you like the idea 🙂

And if you like it, tell your friends.

Cloned Video With AI: Ascanio

Donato Capitella from the UK sent in a link to a video of Ascanio performing his interpretation of Ed Marlo’s “Torn and Restored Card” from The Cardician in Juan Tamariz’ Magia Potagia, a series for Spanish TV that featured Juan Tamariz himself plus many of his colleagues, almost all from Spain.

The punchline of this, however, is that Ascanio speaks English… thanks to Donato’s time and effort he put into dubbing the video with the aid of AI. Ha!

To watch Ascanio and hear him speak in “his own voice” in (almost) impeccable English, with Spanish accent (!), CLICK HERE.

The “Easy” Stuff From Sharing Secrets

I have already devoted four blogs (!) to the tricks within Sharing Secrets in an effort to make the book palatable also to those who, besides “theory”, are looking for “tricks”.

Check The Magic Memories 78 to and including 81, the articles titled “List of tricks & bits from Sharing Secrets”. You find the list of all The Magic Memories HERE.

Recently a good friend, who is a delightful hobbyist, but has no interest in advanced card magic, asked me if there are also tricks that even he could do.

Here is a list of nine items you can perform once you have read and understood the description without having to learn any sleight-of-hand whatsoever:

• S. 25: “Authentic Prop” – you only need a cigarette case with flap (Tenyo used to have one), or adapt to any other changing device, such as Double Envelope, Himber Wallet, etc. (use your head).
• S. 39: “Visible and Invisible World” – use the Si Stebbins stack; you can replace the False Shuffle with a sequence of straight cuts done by various spectators.
• S. 73: “Managing Management” – you can do this without a jacket, simply with your pants’ pocket. To control the selection use a Key Card and the “Oops-Control” (see Card College Volume 1).
• S. 85: “The Marvelous Book” – the Furoshiki idea can be used in many other situations, and to any professional performer is worth the price of the book, let alone the trick itself; you can make up the bag yourself easily.
• S. 91: “Dice and Aces” – get out your deck and a pair of dice, and you are ready to do it.
• S. 97: “Seeing is Believing” – anyone can do this.
• S. 109: “The Trick That Can Be Explained” – for twenty years I have been fooling the best with this one as part of my lecture on deck switches.
• S. 113. “CardSpeak” – Dr. Jaks would have said, “Sensationell!”
• S. 117: “Triple Prediction” – simple and direct, a gem by Rolf Andra from his book “Eine Kartenroutine am Tisch”.

That’s it, NINE “self-working” tricks in a book devoted to “theory” – and there are more that require just a little sleight-of-hand, but all doable with average skill.

Just in case you missed it, Michael Close’s review of Sharing Secrets is HERE.

The Missing Link

Today’s link takes you to the production process of playing cards in the Fournier factory in Vitoria, Spain.

It is in Spanish, but you can still fast forward through it and see the major manufacturing steps. This is very interesting, as I can confirm, as I have been taken twice on a tour in this same factory, fascinating.

And maybe you can use AI or subtitles to get the English translation (it’s your turn, Donato!). To enjoy the video CLICK HERE.

JPG and Video Compression

BTW of videos: Most jpgs and videos are sent around in a far too high resolution when this is not necessary.

Especially those Zoom conference videos that are interesting to listen to, but there is nothing or little demonstrated, can be compressed to at least half their size; obviously the image deteriorates, but the sound remains the same (as far as I can judge…): I have used VEED.IO, and for jpgs COMPRESS JPEG, both with good results. You simply upload the file, click the compression button, wait, and then download the compressed file again. Done. Very practical, I say.

The main reason I’m mentioning this, though, is that VEED.IO offers a language translation feature in its beta-version, which can be applied to your compressed video, and you may want to try this (I haven’, yet, but let me know if it works).

Wish you all an excellent week!

Roberto Giobbi

Hello everyone!

Today’s topics are: The Samelson Reunion; Museo della magia in Cherasco; Tre Re Castellamonte; Thoughts on FISM; Firenze magica

These are The Magic Memories 152, gone online Sunday, November 26th, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

I’m back from my extensive “Giro d’Italia”, my yearly Italian magic-truffle-tour, and have lots to tell you 🙂

The Samelson Reunion

My first stop on my travel from Basel to Italy, across the Swiss Alps, was in Brissago, on the shore of Lago Maggiore, still in Switzerland but just a few minutes from the Italian border.

Peter Samelson, of Monday Night Magic fame, had invited me along with P. G. Varola, his wife Helen, and Mauro Massironi to visit with him for a week-end in his aunt’s beautiful house on Lake Maggiore. The photo below gives you an idea of the inspirational setting our meeting took place.

So, from Friday evening to Sunday afternoon, we discussed magic in many of its aspects, each one of the participants giving talks on several subjects. The photo below shows the truly inspirational living room, with books in the shelves, and a Steinway grand piano in the front.

This reminds me of one of the advertisings Steinway, also called “the instrument of the immortals”, used in the past (I’m quoting from memory):

“Since 1950 our craftsmen couldn’t find a way to improve our pianos.”

Wonder if we could say the same things about anything in magic… If anyone can find the precise quote, please let me know via the webshop contact – thank you.

Peter Samelson, whom I only knew from fame and from his writings, performed and discussed one of his battle-horses, the burned and restored handkerchief, truly a Masterpiece in his hands.

There is plenty about Peter on the Internet, of course, but you may start with an interview that also has some performance pieces HERE.

P.G. Varola will only be known to the insiders of magic, or maybe those who live in NYC, and of course he’s a household name in Italy, now retired. He’s certainly a most eccentric individual with a great knowledge of magic in all its facets, and his presentations where quite provocative and caused some interesting discussions.

Helen, P.G.’s wife, not a performer herself, an art historian, curator of art exhibitions (with P. G.) etc., in her talk gave some interesting insights into magic and the fine arts.

Mauro, possibly less known in the magic community at large, gave an insightful talk on the Italian Horatio Galasso, who should be known to all historians from his Giochi di carte, published in Venice in 1593.

Until recently this was known to be the first source of what later became known as the Si Stebbins Stack.

More recent research by Preverino and Kalush, however, have uncovered an even earlier source, namely Giovanni Battista Verini’s Lo specchio del mercatante, published in Milan in 1542, where “Si Stebbins”, or at least the principle at its base, is exposed.

Cards having been documented since 1370 in Italy, I have no doubt that the principle of the stacked deck – be it mathematical, rosary, or mnemonic – goes back even further than 1542 – the question is just to find a written record of it…

Mauro wrote about Galasso, about whom we knew only little, in Bill Kalush’s Gibecière (Summer 2016, Vol. 11 No. 2), and is now researching if Galasso ever met Caravaggio.

Yes, this may sound as crazy and unnecessary as coming up with seventeen variations of the Multiple Shift (Marlo!), but without these people and their research we would not move magic toward being recognized as an art and science…

We talked a lot about history and theory, so, in order to complement and balance the event, I performed quite a few of my own pieces, and then discussed them, with emphasis on the concepts set forth in Sharing Secrets. I was glad to notice that even experts found this interesting.

I also showed some of the Collector Sets of my Card College Playing Cards, which were new to the participants, and caused a different kind of astonishment…

Originally, Stephen Minch, of Hermetic Press fame, and one of magic’s iconic writers and publishers, should have joined the group, but circumstances prevented him from being with us live.

However, through the magic of modern technology, we managed to bring him in anyway, and he gave a most informative talk on his career and how his Hermetic Press came about, with lots of inside information not even known to us. This is particularly topical in view of Micky Hades’ recent disappearance.

I cannot praise such meetings high enough, especially in a time were lots of “communication” takes place virtually. There is in my opinion absolutely nothing that can cause so much happiness and have such an influence on one’s life and magic as to meet face-to-face with people who have a similar interest.

You see, all my travels, professional or not, have but one goal: To meet up with other people, most of them inspired magicians, and to talk and do magic together, to see them and listen to them, and thereby broaden my horizons. I recommend this, particularly to the younger members of our fraternity, but to all others, too.

Museo della Magia in Cherasco

Sunday early afternoon we bid each other good-bye, with the promise to meet again next year in a similar setting.

I drove leisurely along the shores of Lake Maggiore, passed Torino, one of my favorite cities, and drove down to Don Silvio Mantelli’s “Museo della Magia” in Cherasco, a village at the south end of the Langhe, one of Piedmont’s most spectacular landscapes (and near Alba, with its yearly truffle market).

I have reported about Don Silvio and his amazing “magic empire” before in my The Magic Memories, so will just remind you that the main reason for my regular visits is Don Silvio’s incredible library with over 20’000 volumes of magic, plus thousands of magic magazines, lectures notes, pamphlets etc.

I took several hours to peruse the Chavez Course in Magic, which only very few have in their libraries. At some point I need to tell you more about it…

The museum also boasts a theater, which is an extension of the museum, and can seat about eighty spectators.

At the end of the museum tour the visitors are treated to a 25-minute magic show by professional magician and President of the CADM Marco Aimone.

Nowhere does Confucius’ credo apply as much as in Cherasco: “Live as if it was the last day, learn as if it was the first.”

Tre Re in Castellamonte

Meeting at “Tre Re”, the “Three Kings Restaurant” in Castellamonte, located between Aosta and Torino, has become a tradition, and this was our 10th yearly gathering!

Originally, this was the gastronomical extension of the “Symposiomagia”, a one-day mini-magic-convention I had initiated ten years ago with the help of my friends Aurelio Paviato, FISM 1982 winner, and Marco Aimone, the latter being the President of “Circolo Amici della Magia” (CADM), Italy’s biggest private magic club, with close to 300 members, and who put their premises at our disposal.

After four years the gathering “died”, but the gastro-magical “lunch” survived, mainly because it was always held in “truffle season” (OCT-NOV). This, of course, makes sense, since you can live without magic (although that would be a sad life…), but you cannot live without food… and that’s what gastronomy is about 🙂

Thoughts on FISM

Fabio Rossello, who is the head of the Italian National Magic Team, told us about some extraordinary talents we can expect to see (and win?) the upcoming European FISM competition in 2024 in St. Vincent, and then hopefully at the FISM World Convention in 2025 in Torino.

The official title of these FISM events is “Championship of Magic”, preceded by either “European-North American-Asian” or “World”.

Personally – and I’ve said this before and will repeat it here – I do not think that it does the Art of Magic a service by reducing such an important event to a competition. All arts have competitions, that’s fine, especially to discover and encourage (young) talent. However, in no other art is the idea of “competing” in the sense of a competition the central idea. Neither magic nor any other art is like a sport that can be measured. To call the most important gathering of professional magicians and those interested in magic a “World Championship” reduces it to sport level. Rather it should be called something along the lines of “World Convention of the Art of Magic”, and as a part of it, but only a part, host a championship of magic. The main focus should be Talks, Exhibitions, Workshops, innovation etc.. Instead, in practically all documentaries on magic conventions what do they do? They show the dealer room, as if magic could be bought (!!!), and they hype the competition and the “World Champions”. Does painting, theater, literature have “World Champions”?

The day we stop hyping magic as an activity the essence of which is “to win a competition” or “to fool” the audience (meaning that people who don’t know how magic is done are fools…), well, that will be the day the intelligentsia of this world will start to perceive magic as an art and science, and with them the public.

Anyway, back to our modest lunch, with lots of magic talk and performance between the courses: Roberto Marchello, the chef, once again excelled himself, and served some of his signature dishes, some of them topped by the sought-after “white gold”, as white truffles are sometimes called.

(BTW: 3 kilos – ca. 6 pounds – of flour are mixed with seventy-two egg yolks PLUS twenty-four whole eggs to obtain the Tajarin, yes, all figures are correct!).

I feel incredibly privileged, that thanks to Roberto Marchello being a fan of magic, and his cousin an amateur magician who greatly exaggerates the merits of my books in Italy, we get that meal for less of what a steak and a bottle of wine would cost in NYC (including tax and tip!). If you want the same privilege, simply write nineteen magic books that are translated into up to eight languages… it will take a lot of time, you won’t make much money, but you’ll get a yummy twelve-course lunch with truffles and top Piedmontese wines, not to speak of the welcome drinks, the Grappa, coffees, cigars…

This year’s group was an intimate one, but you can see the happy faces in the photo below, taken after long magic talks and a most satisfying lunch (over four hours…).

Firenze Magica

I decided to leave my car in Torino in a parking garage, which cost me almost as much as taking the fast train Business Class to Florence, over 400 km in less than three hours, and back.

Without disrespect to Italian railways, the “Freccia Rossa”, the “Red Arrow”, is the only train I recommend taking in this country, a country which is otherwise overwhelming in beauty, innovation and creativity (not so much in politics, and practical things of life, though…).

This time I had the good luck of staying in an airbnb-apartment owned by a member of the Magic Club of Firenze.

The drawback is that the flat, being located in the historical center of Florence, cannot be reached by car, only taxis have a permit to enter the area.

However, this far outweighs the privilege of living in the “heart” of one of the most beautiful cities in Italy, and, arguably, in the world, I may add.

On each of my visits I make it a point to invite my friend and publisher Francesco Mugnai to Bistecca alla Fiorentina, the signature dish of the city of Florence.

If you ever go there, take note of Trattoria Baldini, where you won’t see any tourists, but get real folk comfort food with seasonal products from the territory, prepared in the original Florentine way, and best of all at a reasonable price.

Francesco also took me to the spectacular Biblioteca Marucelliana, which did not have as many magic books as Don Silvio’s library, but a few others…

I should also mention that the magic club of Florence, of whom Francesco is the president, on Friday night put on their monthly show for the public in a small theater that took about sixty seats, sold out, and did a very decent show with various performers displaying their skills in front of a more than just appreciative audience. I was even introduced as the guest of honor and given a center front seat, which made a few performers nervous. This was not necessary, as they all gave their best and performed with much panache and likeability.

Highlights where Francesco Mugnai aka Francesco Meraviglia, who very capably and professionally led through the program, and René Luden, an internationally successful professional ventriloquist who for years played the most important cruise ships, speaking about a dozen languages!

Like all stories of Asterix and Obelix, the adventure ends around a festive table, which you can see below, after a great dinner in San Miniato, the equivalent of Alba in Tuscany, with more truffles and wines, in the best of companies.

See if you recognize Giacomo Bertini, Francesco di Luciano (attorney by day, translator of Erdnase by night), Simone Venturi (attorney & prolific translator of Tamariz, Burger, Giobbi etc.),  Franceso Mugnai (Italy’s most important publisher and performer), Gianluca aka Mago Sander (one of Italy’s most successful international professionals), Alessandro Daloiso (inspired amateur and truffle expert).

On the morning of Sunday, 19th November 2023, I took my train back to Torino, and then drove back to Switzerland to home sweet home, always my favorite place after only ten days travel, but which seemed like a month of joyful encounters, magic and pleasant learning.

Wish you all an excellent week!

Roberto Giobbi

Hello everyone!

Today’s topics are: Quotes on Perfection and Excellence

These are The Magic Memories 151, gone online Sunday, November 19th, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

As you are reading this I am on my way home from Florence and Torino, ready to tell you about my adventures in the next The Magic Memories 152.

Meanwhile consider each of the quotes below as a Zen Koan, and you will have enough food for thought until we next meet. I left some of the quotes in the original language I heard, read or found them.

Quotes on Perfection and Excellence

Good is better than perfect.

Strive for perfection, settle with excellence.

Perfection is not attainable. But if we chase perfection, we can catch excellence. – Vince Lombardi

Every job is a self-portrait of the person who does it. Autograph your work with excellence. – Jerry Smith

Ein Gericht ist perfekt, wenn man nichts mehr weglassen kann. – Joel Robuchon

Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away. – Antoine de Saint-Exupéry,

Perfektion ist nicht dann erreicht, wenn es nichts mehr hinzuzufügen gibt, sondern wenn man nichts mehr weglassen kann. – Antoine de Saint-Exupéry

Das ist alles, was wir tun können: immer wieder von neuem anfangen – immer wieder und wieder… -Thornton Wilder That’s all we do—always beginning again! Over and over again. Always beginning again.

Rastlos vorwärts musst du streben,

Nie ermüdet stille stehen!

Willst du die Vollendung sehen,

Musst ins Breite dich entfalten,

Soll sich dir die Welt gestalten!

In die Tiefe musst du steigen,

Soll sich dir das Wesen zeigen!

Nur Beharrung führt zum Ziel!

(Friedrich von Schiller)

Without continual growth and progress, such words as improvement, achievement, and success have no meaning. – Benjamin Franklin

Quality is not an act, it is a habit. – Aristotle

Excellence is an art won by training and habituation. We do not act rightly because we have virtue or excellence, but we rather have those because we have acted rightly. We are what we repeatedly do. Excellence, then, is not an act but a habit.

Pleasure in the job puts perfection in the work. – Aristotle

Lieber fehlerhaft beginnen als perfekt verzögern.

Excellence is an art won by training and habituation: we not act rightly because we have virtue or excellence, but rather have these because we have acted rightly; these virtues are formed in man by doing his actions; we are what we repeatedly do. Excellence, then, is not an act but a habit. – Will Durant, The Story of Philosophy (1926)

If you perceive something that you think is brilliant, but cannot explain why, it probably is. – Roberto Giobbi

The quality of a person’s life is in direct proportion to their commitment to excellence, regardless of his chosen field of endeavor. – Vince Lombardi

We are what we repeatedly do. Excellence then, is not an act, but a habit. ~ Aristotle

There is great satisfaction in learning something new, but there is even greater satisfaction in learning how to do something you already know better. – Roberto Giobbi)

Die Zeit vergeht, so oder so, aber wenn man inzwischen etwas tut, dann kann man nach dieser Zeit etwas, was die anderen, die währenddessen nichts taten, nicht können. – Roberto Giobbi)

Du bist nur gut, wenn Du Dinge machst, die dir selbst ähnlich sind. – Depardieu in an interview (Das Magazin 43/2010)

You should perform every trick as if it was the last. Roberto Giobbi inspired by: Man sollte jedes Konzert so spielen, als könnte es das letzte sein. – Sol Gabetta, argentinische Cellistin

In order to cut ham you need attitude, concentration, and technique… as well as a sharp knife. – anonymous Spanish ham cutter

Die That ist alles, nichts der Ruhm. – Goethe, Faust

Wish you all an excellent week!

Roberto Giobbi

Hello everyone!

Today’s topics are: Preview to Giro d’italia 2023; Ca(r)davre Exquis; Abracadabra Wine

These are The Magic Memories 150, gone online Sunday, November 12th, 2023, at 0:07h sharp.

All The Magic Memories from 2021, 2022, including the Magic Advent Calendar from 2020, can be found HERE.

As you are reading this I’m on the road in the South of Switzerland and Italy (Muttenz – Brissago – Cherasco – Torino – Castellamonte – Torino – Florence – Torino – Muttenz).

Preview to Giro d’Italia 2023

Right now (SUN, 12th NOV 2023, at 0:07 h) I will be sessioning with Peter Samelson, GP Varola and Mauro Massironi in a private house on the Lake Maggiore, in Switzerland, and at 5 minutes from the Italian border.

On Sunday afternoon I’ll be off to Cherasco to visit Don Silvio about whom I have reported several times – I look very much forward to study in his library that boasts well over 100’000 magic books, interrupted by sessions with magic friends, and in-between a few lunches and dinners honoring the Piemontese tradition 🙂

I also look forward to visiting my friends of the Magic Club in Torino, of which I’m an honorary member: The Club Amici Della Magia have an outstanding club room and some world-class members, Arturo Brachetti (THE magical quick change artist), Alexander (a TV star in Italy) and Marco Aimone (just back from the Magic Castle) being just three of them.

Then Florence, to see my publisher Francesco Mugnai to talk about upcoming translations of Sharing Secrets and other books… and meet up with Giacomo Bertini (the coin expert and organizer of the International Close-up Symposium), Simone Venturi (lawyer, translator and historian), Francesco Di Luciano (Italian translator of Erdnase, as well as the friends from the Magic Club Florence.

Anyway, I will tell you more upon my return in The Magic Memories 152 (NOV 26th).

Due to my traveling this and the next The Magic Memories will be short ones. Still, I hope that the following item finds your interest.

Ca(r)davre Exquis

There is a genre called “Art Games”, of which Cadavre Exquis, invented by the Surrealists, is probably best known.

It can be played wonderfully  with the family or a team. In it you take a sheet of paper and draw something at the top edge without the others seeing it, a tree, a head, a mountain peak, anything that comes to mind.

Then you fold the portion of the paper containing the drawing to the back of the sheet (try a portion of one or two inches).

Now you pass the paper over to the next participant who again draws anything on the new top of the sheet, folds it back and passes it over to the next. And so on.

At the end, the sheet of paper is unfolded revealing some kind of absurd drawing composed of the parts each participant previously drew.

To see a few examples CLICK HERE.

I was reading this in the column of Hans Ulrich Obrist, who is the director of the Serpentine Galleries in London, and it occurred to me that at the next gathering with fellow magicians you could try this by taking a deck of cards, the first does something with it, hands it to the next who does something else with it, and you end up with a performance piece.

Here is an idea to start: The first arranges the Aces on top of the deck (secretly by culling), the second does a false shuffle retaining the Aces on top, the third produces them magically, the fourth does some trick with it, etc.

Maybe you film it and put it on YouTube… remember to mention these The Magic Memories 🙂

Abracadabra Wine

As a little night cap for today’s blog, here is a wine from Spain that my friend Xavier Solar from Barcelona sent in.

The wine is really inexpensive, and they probably send out anywhere in the world. I have not tried it, yet, but plan to do so soon. To know more CLICK HERE.

Wish you all an excellent week!

Roberto Giobbi